Àltera, Creative Direction V1.0
VUERSO
Introduction

This document sets out our strategic approach to the identity, art direction and digital presence of Àltera.

The objective is to evolve Àltera from a beautiful place to stay into a recognisable hospitality brand: contemporary, rooted in Puglia and warm enough to be remembered.

It translates what we learned in discovery into a creative direction, and proposes three distinct territories for the identity to grow from.

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Contents
  1. 01Overview
  2. 02Creative Strategy
  3. 03Visual Direction
  4. 04Next Steps
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Brand Overview
01

Brand Overview

“A contemporary place to stay that gives you a more personal way into Puglia.”

Àltera is an independent 18-room hotel in the Valle d’Itria countryside, between Ostuni and Ceglie Messapica. A restored nineteenth-century rural estate sits beside new low buildings in local stone, lime plaster, glass, steel and concrete.

In three years the hotel has grown warmer, richer and more culturally engaged: a seasonal restaurant, relationships with makers and producers, and a team that knows the region well.

The place has become more interesting than its brand.

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Brand Overview

What You Told Us

Origin

Years between Milan and London around fashion, art and architecture, then an abandoned estate that was interesting because it was not picturesque in an obvious way.

Purpose

A hotel first. Puglia as a living place rather than an aesthetic, with design supporting the experience instead of becoming it.

Tension

The identity still tells the original, architectural story. The website is beautiful but emotionally flat: rooms and buildings, not why people love the place.

Aspirations

More direct bookings, a longer season, stronger international recognition and a few collaborations that feel genuinely relevant.

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Brand Overview

Mission and Why Now

Why Àltera Exists

To give guests a more personal way into Puglia: space, good sleep, good food and knowing where to go, from people who are looking after them without managing them.

The first identity and website were made quickly, alongside the architecture, so the hotel could open. They did the job. Since then food has become central, the team is stronger and guests come for the whole experience rather than the building.

The brand now needs to catch up with the place, before platforms and press define it for everyone else.

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Brand Overview
The mission is simple

Considered, but easy.

What guests should remember, and what the brand should do: make people want to understand more of the place around them.

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Brand Overview

Brand Foundations

Àltera’s foundations come from Elena’s own answer to what makes a stay good. They guide the identity, the website and every printed object.

Space

Room to be on your own, and a table to join when you want company.

Good Sleep

Thick walls, dark nights, good linen. Nothing in the room competes with rest.

Good Food

A seasonal kitchen built on the garden and on producers close to the gate.

Knowing Where to Go

Recommendations from someone whose taste you trust. Never a directory.

Looked After

Service without formality. Being noticed, then left alone.

Fewer Things

Fewer things, done properly. Eighteen rooms, one restaurant, one pool.

Independence

Free to change things without turning every decision into a brand exercise.

Curiosity

Puglia as a living place. Old and new held together, never nostalgic.

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Brand Overview

Brand Personality
and Voice

Àltera should feel like a cultured, observant host: slightly reserved at first, never cold, and generous once you arrive. Atmospheric when it helps, practical when it matters.

Brand Personality

  • Cultured and curious
  • Relaxed and observant
  • Independent
  • Generous
  • Reserved at first, never cold

Brand Tone

  • Direct and intelligent
  • Atmospheric, never poetic about breakfast
  • Practical information stays practical
  • Specific rather than general
  • Free of hospitality clichés
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Brand Overview

Audience &
Positioning

Audience

Design-conscious travellers from Europe, the UK and the US, roughly 30 to 55, who choose independent hotels for the point of view behind them. They value architecture, food, culture, privacy and places that feel specific. Italian couples and small groups from Milan, Rome, Bologna and Naples follow for long, food-led weekends.

Positioning

Design-led hotels across Puglia are starting to blur together. Àltera shows a Puglia that is contemporary without becoming cold, and local without becoming nostalgic.

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Creative Strategy
02

Introduction

From Brand Mission
to Visual Language

Defining how Àltera’s point of view becomes a visual identity with more personality, rhythm and contrast than the one it has today.

The brand follows the logic of the property: understand what is worth keeping, remove what is unnecessary, and add something new with precision.

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Creative Strategy

Design Goals

What we aim to express through design

01Beyond the
Architecture

Show food, people, landscape and the region, not only rooms.

02Recognisable,
Not Decorative

Personality and contrast that can sit beside warm photography.

03Puglia Without
the Postcard

No olive branches, arches, lemons or cream. Local, not nostalgic.

04Direct Booking,
Made Obvious

Clear rates and reassurance, so booking here feels like the easy choice.

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Creative Strategy

Design Strategy

The strategy outlines the key visual pillars of the brand. It defines the proposed aesthetic, colour approach, typography style and brand mood, so that every element works together.

General AestheticOld and new, raw and precise

The identity holds the same tensions as the buildings: restored stone beside precise new volumes, local and international, architectural but human. Designed, but never over-designed.

ColoursA small, strong palette

Cues from the property without copying it: stone, oxidised metal, dark green, blue-black, warm plaster, stainless steel and sun-faded colour. A few confident colours rather than ten earthy neutrals.

FontsContemporary, confident, unexpected

Typography that does not immediately read as hospitality: no romantic serif, no widely spaced capitals. A strong wordmark first; a symbol only if it earns its place.

Brand MoodCuriosity, desire, then confidence

The first reaction should be: I want to understand this place. The second: I know exactly how to get there and what I will find.

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Creative Strategy

Mood &
Atmosphere

Contemporary
Tactile
Curious
Precise
Warm
Cultured
Relaxed
Observant
Independent
Generous
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Creative Strategy

Logo

The current identity’s restraint is worth keeping. It is too neutral, though: it reads as if an architecture studio designed a hotel identity, which is roughly what happened.

For the logotype, we envision a strong wordmark with more personality, rhythm and contrast, confident enough to sit beside very warm photography without becoming decorative.

A secondary device only if it earns its place: a mark that is useful on a key, a menu or a sign, never an icon with a story invented afterwards.

The references are the brands Àltera admires, where the brand is present but never louder than the place.

Wordmark studies
Àltera
ÀLTERA
Àltera
àltera
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ÀLTERA
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Brands Àltera admires
ÀlteraÀlteraÀLTERA
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Visual Direction
03

Visual Direction

Approach

From Strategy to Visual Language

The following directions are three distinct interpretations of Àltera’s point of view.

Each takes one side of the place and makes it the lead: the architecture and its materials, the table and the day outside, or the evening and the library. All three keep practical information clear and direct booking close.

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Visual Direction

Visual Directions

From the questionnaire, the scope of work and the brands Àltera admires, we have defined three creative directions.

Direction 1Stone & Steel
Direction 2The Long Table
Direction 3Green Hour

The following slides present each visual direction individually

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Direction 01

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Direction 1

Stone & Steel

What was kept, and what was added, side by side.

Architectural / Precise / Tactile

Takes the property’s own logic as the identity. Pale stone and lime plaster grounds, blue-black type, stainless steel and one oxidised accent. A heavy, tightly spaced grotesque wordmark engraved, cut and stamped into real materials. Architecture is always photographed with a person in it, in hard midday light.

Visual Cues

Lime plaster and stone grounds, heavy grotesque wordmark, monospaced details, numbered indexes, cut steel signage, engraved stainless keys, oxidised iron used once per page.

Similar Brands & Websites

  • Tekla
  • Lemaire
  • Holiday
Aa
Àltera
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Moodboard

Direction 1

Materials as Media

The wordmark lives in steel, stone and plaster before it lives on screen: keys, signs, stamped paper.

A Heavy, Tight Wordmark

A contemporary grotesque with weight and no decoration, confident at every size.

Architecture with People

Every building shot has someone in it, crossing, reading or swimming, in hard light.

One Oxidised Accent

Rust-red used once per page as the only colour, against stone and blue-black.

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Direction 02

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Direction 2

The Long Table

The day outside: food, heat, people and the sea.

Warm / Sociable / Sun-faded

Leads with what guests fall for after they arrive: the table, the kitchen garden, producers, swimming spots, the long light of the afternoon. A cool paper ground with oxidised red and a sun-faded blue, and a chunky contemporary serif that is characterful rather than romantic. Printed matter feels like a small magazine you would keep.

Visual Cues

Oxidised red covers, sun-faded blue postcards, a heavy contemporary serif in small doses, candid food and hands photography, captions like a magazine, maps drawn in the kitchen.

Similar Brands & Websites

  • Apartamento
  • Cabana
  • Holiday
Aa
Àltera
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Moodboard

Direction 2

Food and Hands

Candid, imperfect food photography: crumbs, flour, a hand reaching in. Never a styled flat lay.

A Characterful Serif

A heavy contemporary serif used sparingly, closer to a magazine masthead than to a hotel crest.

Sun-faded Colour

Oxidised red and faded sea blue, the colours of things left out in the sun.

Printed Matter to Keep

Menus, maps and the local guide made like a small independent magazine.

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Direction 03

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Direction 3

Green Hour

The evening, the library and a very dark night.

Nocturnal / Cultured / Reserved

Takes Àltera’s reserved, cultured side and the moment after the heat: dinner at blue hour, the dark green library, a lit pool and a very quiet night. Deep green and blue-black grounds with stone type, brushed steel details and a wide, extended wordmark. Calm, cinematic and a little mysterious, with warm light as the only accent.

Visual Cues

Dark green and blue-black grounds, extended wordmark, silver foil on cloth, low warm light, blue-hour photography, a slow horizontal rhythm, film-like captions.

Similar Brands & Websites

  • Lemaire
  • Apartamento
  • Tekla
Aa
ÀLTERA
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Moodboard

Direction 3

Blue-hour Photography

Dinner, the pool and the buildings after sunset, with warm light as the only colour.

Extended Wordmark

A wide, calm wordmark that reads like a title card, in stone or brushed steel.

Cloth, Foil and Steel

A green cloth-bound local guide, silver foil, steel lettering grazed by low light.

Reserved, Then Generous

Very little on each page at first; the detail opens up the further you go.

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Next Steps
04

Next Steps

Selecting
Moodboard

We have developed three distinct visual directions for Àltera, each rooted in the brand strategy while leading with a different side of the place: its materials and architecture, its table and its days, or its evenings and its reserve.

How to select

At this stage, the objective is to identify which direction feels most like the Àltera you are becoming. In particular:

  • Which direction feels most like Àltera, rather than more Italian
  • Whether the tone should lean more architectural, more sociable or more nocturnal
  • How the typography, colour, imagery and overall visual language resonate
  • Any elements you’d like us to develop further, refine or combine

To align on the preferred direction and next steps, we will arrange a call to review feedback in detail.

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Next Steps

Following review and discussion of the creative directions, the next stage will focus on refining the selected pathway.

This will include:

  • Defining the wordmark and any secondary device
  • Defining the typography system
  • Finalising the colour palette
  • Photography and art direction principles
  • Developing the brand visual system

We look forward to speaking soon and refining the direction together.

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VUERSO